The mythical name of Shalimar perfume resonates throughout the world. Since 1925, the record of his conquests makes dream, from Rita Hayworth to Romy Schneider through Brigitte Bardot . Thierry Wasser, Guerlain's perfumer, wanted to rub against this great "ruffian oriental". At the request of his goddaughter, he dares finally this variation, "initiation to love and seduction". Unpublished but familiar, this score will delight the generation of girls of those who love the original. The soul is preserved in its overdose of bergamot, vanilla and tonka bean, but the story is delivered from jasmine to refocus on a heart of pink tenderly powdered with irises. Shalimar Initial Fragrance is less animal and brighter, as if the fur had become cashmere skin. To shelter it, the iconic bottle is revisited, revealing in its transparency a skin pink juice, enhanced by a blue gray cabochon. To illustrate, a sublime photo in black and white of the top Natalia Vodianova, taken a few years ago by his faithful friend Paolo Roversi. A new classic is born.
For Tamara Mellon , co-founder of Jimmy Choo , " perfume is the ultimate accessory before going out, just after choosing his bag and donning his shoes". Not content with being the first to accessorize the stars on red carpet, this former fashion editor of the English "Vogue" had the rich idea to shoe Sarah Jessica Parker, aka Carrie Bradswhaw in "Sex and the City", then to create a capsule collection for H & M with resounding success. In less than fifteen years, she opened one hundred and ten boutiques in the world offering shoes, sunglasses and sunglasses in eccentric, glam style and always delighted by a touch of humor. Its fragrance, dedicated to those "who dare in life", resembles him. This sensuous chypre fruity is enveloping on green notes and a juicy pear before blooming in the voluptuous roundness of the orchid tiger, the sweet caramel and warmed patchouli. He dresses in a rounded, faceted and well-shaped bottle, inspired by the Murano glasses that Tamara loves so much. "In emotional connection with her clients," she poses herself for the campaign in a dress with python pattern matching the perfume holster. All to pack those that are not cold to the eyes.
"Without light, the crystal is inanimate. She is her soul, "says Markus Langes-Swarovski, great-great-grandson of the founder of this house who supplies his faceted stones for sewing and produces his own jewelry and dazzling objects. He dreamed of expressing this brilliance in a perfume , from the scent to the bottle. The metal and glass object, resolutely modern with its oblong shape, is simply enhanced by a single asymmetrical crystal. It is necessary to lift the hood to access the olfactory richness of the fragrance. Thought as "transforming a crystal into luminescent liquid", the "Floral Fruity Incandescent" carries in its heart an "energy prism" based on amber, benzoin and white musk. It is permanently illuminated by fruity "beams" like lychee, floral as tuberose and spicy like pink bay. To sublimate even this ultra-contemporary lighting, the scent is available in a precious perfumed line and is even accompanied by a collection of makeup jewelry. These jewelery make-up - Lip illuminator and illuminating body key - are even enriched with micronized crystal powders.
If L'Air du Temps had been conceived today, it would resemble this scent which boasts romanticism in a more modern style. When the first perfume celebrated the carnation, the latter celebrated the magnolia. Proof that one can still seduce the "daughters of the Air" by offering them a bouquet of flowers rather than a wake necessarily greedy. The freshness is thus interpreted on a petal register, around the freesia and the honeysuckle. It is relayed by the absolute rose and this famous magnolia, carnal and honeyed, then gently warmed by the woods - patchouli and rosewood - and cozy wrapped with musts. The bottle is a delightful nod to his elder. The glass bottle, surmounted by the unbeatable doves, houses a pink juice delicately degraded. The case is designed by visual artist and illustrator Virginie Barré, and the photo and film are signed by director Noel McKinley. Very "new wave", he staged a contemporary Jean Seberg in a Parisian apartment. Her 60s spirit revisited enchants us.
The First Perfume of Lolita Lempicka celebrated its ten years. Its fragrance of licorice mixed with violet and anise has made addicted a whole generation of adolescent girls. And its violet flask, with its appetizing round shape, is the illustration of the temptation of sin. Because they have grown, nectar reinvents itself in a less sweet, subtle and devilishly elegant eau de toilette . Gone is the confectionery provocation, the child woman has matured and emancipated. She regains the liquorice flower with delight and appreciates the tasty surge around lemon, velvety apricot and black cherry with almond accents. She also gladly exchanges the candy-violet accord against a more intriguing violet wood, gray with musk and incense. The apple bottle clears up, from purple to mauve chic. It is rediscovered, crunched on the side of a heart-shaped bite and tagged with the dedication "Lolita". On the advertising image of Christian Moser, the beautiful naked appears to be appeased. Her thirst for sensuality is filled.
