In the series of stylistic rehabilitations that leave us dreaming, that of the printed wallpaper unequivocally won the palm of the return of the most problematic clothing flame. Inherited from the " wallpapers " and other waxed cloths placarding the emotionally charged interior of our (great) parents, the motif with the psychedelic effects allows itself some anachronistic breakthroughs in the contemporary dressing rooms, like spring-summer next.

And because he has once again coax creators in vogue not deny this season without some inflection in a nostalgic mode, quilted 2017. sauce S ll pencil strokes Miuccia Prada, the Sixties dresses thus feathers of ostrich feathers chicken and tap dancing pop. At Gucci, Alessandro Michele declines , mixes and matches the famous print from every angle, in a bling-bling opulence talentedly assumed. As for Marni , the label opts for botanical figures executed in a free mode a bit more fifties, which smell good Miami and Saint Tropez.

What to draw off the wallpaper print off the beaten path commonly known as catwalk ? Why not on a silk shirt or a vaporous blouse, which is next to a jeans mom and flat mules in velvet calf for a nonchalante drag, now a palazzo with pliers and XXL glasses for a decadent look. The only prohibition is that of a total look with more graphic prints than the retina can decently tolerate, except for an improvised streetstyle session. In the latter case effectively, nothing like the wallpaper print out ostensibly out of the decor.